Cada vez los ingenieros de imagen están investigando más, para crear novedosos sistemas en el lenguaje audiovisual y así poder contar sus historias a través de movimientos de cámara que cada vez sean más impresionantes. Un gran ejemplo es la cabeza caliente, que puede ser una herramienta magnífica, ya que tiene una capacidad inmejorable para poder efectuar los movimientos más perfectos en los tres ejes. En Camaleón Rental ponemos a su disposición los mejores modelos de cabeza caliente y asesoramos en el alquiler de éstas en su rodaje para que salga de la forma más perfecta posible.
En Málaga ponemos a su disposición el alquiler de equipos completos de Cámara. El servicio mínimo debe incluir cámara, ópticas y todos los accesorios de cámara como mandos de foco, monitores, radioenlaces de video, trípodes.
En Málaga tenemos para ofrecer una amplia gama de alquiler de cámaras de cine, televisión, video y broadcast. Disponemos para alquiler material de cámaras de cine Arri, Red, Sony, cámaras de vídeo Sony, Canon, Panasonic o Blackmagic, cámaras de Alta velocidad tanto Freefly System como Vision Research desde nuestra oficina de Sevilla. Puedes encontrar todas las cámaras que ofrecemos en la página web de Camaleón.
En Málaga también ponemos a su disponibilidad el alquiler de material de iluminación, material grip, transporte, y ofrecemos la gestión de personal técnico de todos los departamentos cuando se contrata alquiler de material con nuestra propia empresa. Sin embargo no ofrecemos la contratación de personal de forma independiente.
Camaleón rental offers video cameras that are devices that capture images and convert them into electrical signals or video signals, also known as television signals. There are several types: such as portable video cameras or known as ENG cameras, studio cameras or camera chains and action video cameras.
So-called studio cameras are integrated into the video production system. Those that are called video camera chains are located in mobile units or on set facilities and do not record on the camcorder, they record on the Mobile unit or camera control. Both the color and the exposure control are controlled externally from the camera control.
The video cameras that are also called ENG cameras are independent of installations and have a built-in recording system. All recording, exposure or sound work is done only by the camera operator and does not need more.
Our headquarters in Andalusia are located in Seville, where we have a large stock and the latest innovations in recording equipment for cinema and for advertising of the leading brands. We offer the best necessary material to carry out a shoot, camera material (film, television, video and broadcast) with optics and all the necessary peripheral accessories, lighting, grip equipment and film studios. We also have the most highly trained technicians with many years of experience handling our material.
From Seville we also offer transportation services when cameras are rented from our company.
In short, we offer a complete service so that the filming goes as smoothly as possible.
In Malaga we offer you the rental of complete camera equipment. The minimum service must include a camera, optics and all camera accessories such as focus controls, monitors, video radio links, tripods.
In Malaga we have to offer a wide range of film, television, video and broadcast camera rentals. We have Arri, Red, Sony film cameras for rent, Sony, Canon, Panasonic or Blackmagic video cameras, High-speed cameras, both Freefly System and Vision Research from our Seville office. You can find all the cameras we offer on the Camaleón website.
In Malaga we also make available the rental of lighting equipment, grip material, transport, and we offer the management of technical personnel from all departments when material rental is contracted with our own company. However, we do not offer the hiring of personnel independently.
The DSMC2 Monstro 8k camera from Red is distinguished by offering high resolutions and also high image quality. The MONSTRO sensor goes a step further, offering 17x more resolution than HD and 4x more than 4K. This camera has a 35.4 megapixel CMOS sensor with a maximum resolution of 8192x4320, a size of 40.96x21.60mm and a dynamic range of 17 stops. This camera has a larger sensor, so what it offers us is a shallower depth of field, achieving a greater dimension and an expanded perspective.
The camera gives us 8K image recording, this causes the magnification to increase and thus the perspective signs become more pronounced. What really distinguishes its sensor from the RED DSMC2 Monstro 8k camera is the size of its pixels since the smaller they are, the more they can enter the camera sensor, which leads to suppressing the sharpening of the contours of the objects that They are seen on camera with lower resolution.
At Camaleón Rental we offer Grip material and machinery. Regarding the Grip material, we can offer different possibilities from rental, comprehensive services with operators, professional machinists and all kinds of professional grip material.
We can also offer telescopic and rigid cranes, vehicles adapted for recording with the best and most innovative systems in the world such as Motocrane Ultra with a 3.65m boom and Movi XL, Carmount, Sliders, Traveling & Dollies with the best accessory grip material.
We offer the best Grip technicians who fully know the material we work with and who have years of experience handling this type of material, which means that they can advise others to achieve the best angle and movement required for filming.
The Flex 4K has the ability to record ultra slow motion 1000 frames per second at 4K resolution. It has a PL mount and a multitude of external accessories. The images it can record in ultra high speed is 938 FPS in 4K and 1977 frames per second in 2K. It has an excellent FPS range from 15 FPS up to 2949 FPS. It is also capable of recording audio thanks to the Mini-BOB adapter. This camera is only available for rent with the hiring of a specialized technician. It uses Vision Research's 1T and 2T Phantom CineMag IV memories, which allows it to capture a high amount of information per second, which entails advanced data transmission technology and a fairly high workflow.
It has two recording formats up to 4K Cine Raw and in Apple Prores 422 HQ. It also offers the possibility of recording in a dual way while saving the two files at the same time.
Dispone de dos sensores de imagen de cuadro completo de 36x24 mm, fabricado concretamente para las demandas y el rendimiento de la cinematografía de la más alta calidad. Cada sensor ofrece una sensibilidad, una latitud y una reproducción cromática notables, y a demás son intercambiables, los usuarios pueden cambiar fácilmente entre sensores, sin ningún firmware adicional, e incluso pueden usar el sensor de la Venice (cámara antecesora). Tiene un sensor 8K que captura imágenes con una resolución de hasta 8640 x 5760, mientras que el sensor 6K establecido da un máximo de 6048 x 4032. Los dos dan un poderoso sobremuestreo para imágenes 4K perfectas. En fotograma completo, puede usar todo el ancho de los sensores (8640 o 6048 píxeles) para una pantalla panorámica esférica de 2,39:1 o de gran formato. El FullFrame lo podemos usar creativamente de diferentes formas.
Ofrecemos un amplio catálogo de cámaras de cine Sony en alquiler: Sony Venice 2, Sony Venice, Sony PXW-FX9, Sony FX6, Sony F55, Sony PMW-F5, Sony PXW-FS7, Sony PXW-FS y XDCA-FX9.
We offer a wide range of Sony movie cameras for rent: Sony Venice 2, Sony Venice, Sony PXW-FX9, Sony FX6, Sony F55, Sony PMW-F5, Sony PXW-FS7, Sony PXW-FS and XDCA-FX9.
Our precision grade N-BK7 windows are often used to seal optical enclosures & act as a protective window for the optical and electrical component behind the window, particularly within CCTV and ANPR systems where there is a risk of damage. N-BK7 provides excellent transmission in the visible and near infrared spectrum which can be enhanced still with our Anti Reflective coatings.
Our stock range of ¼ wave N-BK7 or equivalent windows are supplied either uncoated or with the option of an Anti-Reflective coating on both faces with extended BBAR for visible and NIR applications within the 450-900nm wavelength range. We can also offer custom solutions for your application, whether it is a custom size or a coating to optimise a different wavelength range, beamsplitter coated or mirror coated to meet your bespoke requirements.
Read PDF for more data
Typical specs::N-BK7 or Equivalent
Length/Width Tolerance::±0.1mm
Thickness Tolerance::±0.1mm
Flatness::>λ/4 over 90% aperture
Surface quality::<40/20 Scratch/Dig
Parallelism::1 arc minute
Coating::Windows with the suffix “AV2” are coated on both faces with our extended broadband multilayer antire
Automatic Number Place Recognition Cameras otherwise known as ANPRs; are camera devices designed to work at certain wavelengths (dependent on Country) to read a license plate’s number of a vehicle to then track it through a database to identify any criminal offences links to that car, such as uninsured; stolen; major and organised crime; and even terrorism. They are typically installed on motorways; busy roads around cities and towns; and also on police cars as well as specialised ANPR police vans.
Knight Optical offers Colour Glass Filters for such an application, be it either long pass or bandpass filters. The wavelengths typically used by ANPR camera companies are: 695nm; 740nm; 810nm; 850nm; 910nm and 940nm
Read PDF for more information
Material::Colour glass
Length/width::± 0.20 mm
Thickness::± 0.20 mm
Surface quality::<60-40 scratch/dig
Parallelism::<3 arcmin
Automatic Number Place Recognition Cameras otherwise known as ANPRs; are camera devices designed to work at certain wavelengths (dependent on Country) to read a license plate’s number of a vehicle to then track it through a database to identify any criminal offences links to that car, such as uninsured; stolen; major and organised crime; and even terrorism. They are typically installed on motorways; busy roads around cities and towns; and also on police cars as well as specialised ANPR police vans.
Knight Optical offers Colour Glass Filters for such an application, be it either long pass or bandpass filters. The wavelengths typically used by ANPR camera companies are: 695nm; 740nm; 810nm; 850nm; 910nm and 940nm.
We offer these filters as either long pass or band pass filters. We can also offer these as customised filters with specific band blocking coatings to optimise your wavelength of choice.
For more details see PDF
Material::Colour glass
Diameter::+0.0 / -0.20 mm
Length/width: :± 0.20 mm
Thickness::± 0.20 mm
Surface quality::<60-40 scratch/dig
Parallelism::<3 arcmin
In Almería we make the best equipment on the market available to you. The minimum service offered for rent is complete equipment: film camera, optics and all peripheral accessories, this means that we do not rent accessory material or cameras independently.
Film equipment rental is managed from our offices in Madrid or Seville.
We offer the best camera material for productions in the world, for both national and international advertising shoots, television series, movies or large events.
You can find everything we offer in Almería on the company's website.
In Almería we also offer the rental of lighting equipment and grip equipment, film and TV studios, transport and of course we also manage the hiring of technical personnel from all departments, but not the hiring of personnel without equipment.
Stock & custom precision optical filter in materials such as Schott Kopp & CDGM - Knight Optical can offer you Stock and Custom Colour Glass Filters, for use within Inline Cameras in a range of materials of brands such as Schott, Kopp and CDGM. Depending on the achievable wavelength and desired affect you need for the Inline Camera we can find a suitable material for your application.
Colour Glass Filters are good for selecting a particular wavelength to be absorbed so that the high out of band blocking in achieved. With regards to the use in Inline Cameras, Colour Glass Short pass Filters are more desirable as they cut out the IR wavelengths mean the imaging is not saturated with the IR giving the image better clarity.
Colour Glass Filters are polished sheets of special glass that have been cast with a dye. Colour Glass Filters generally are relatively cheap and very stable. The disadvantage with them is that they are only available in a relatively small number of variants, and so can be restrictive in shortwave selection.
For More Info see PDF...
Material::Color glass
Diameter::+0.0 / -0.20 mm
Length / width::± 0.20 mm
Thickness::± 0.20 mm
Surface quality::<60-40 scratch/dig
Parallelism::<3 arcmin
Camaleón rental ofrece cámaras de vídeo que son aparatos que captan imágenes y las convierten en señales eléctricas o señales de vídeo, también conocidas como señal de televisión. Existen varios tipos: como por ejemplo las cámaras de video portátiles o conocidas como cámaras ENG, las cámaras de estudio o Cadenas de cámara y cámaras video de acción.
Las denominadas cámaras de estudio están integradas en el sistema de producción de video. Las que son denominadas como cadenas de cámaras de video están situadas en unidades móviles o en instalaciones en plató y no graban en el camcorder, graban en unidad Móvil o control de cámaras. Tanto el color como el control de exposición son controlados de forma externa desde el control de cámaras.
Las cámaras de vídeo que también son denominadas cámaras ENG son independientes de instalaciones y tienen incorporado el sistema de grabación. Toda el trabajo de grabación, exposición o sonido las realiza solo el operador de cámara y no necesita más.
Knight Optical can offer UV Fused Silica Lenses for Colour Measurement Applications.
Similarly to N-BK7, UV Fused Silica has a fairly consistent transmission across UV/VIS/NIR, meaning that that transmission in each region is almost equal. This in turn means that any image or measurement taken is not skewed towards one colour, and a more accurate measurement can be taken.
This can be used in conjunction with an IR Cut Filter in cameras to remove a lot of the NIR noise giving a clearer image with better colour clarity/contrast.
UV FS is comparable to N-BK7 or other similar optical glasses in its performance, having a very similar average transmission over the VIS range up to approximately 2000nm and a slightly lower refractive index. The Abbe constants of UV FS are also very similar to that of N-BK7, although slightly higher.
Read PDF for full spec
Material::UV Grade Fused Silica
Operating Wavelength::587nm
Diameter Tolerance::+0 / -0.10mm
Centring Tolerance::<5 arc min
Focal Length Tolerance::± 0.2mm (<10mm) ±2.0% (10mm – 1000mm)
Centre Thickness Tolerance::±0.2mm
Surface Figure::3/ 3 (1)
Surface quality::<40-20 Scratch/Dig
Coating::Optional
avec pieds enroulables composites de 1 m, 2 m ou 3 m, capables de supporter des - CE TRÉPIED N’EST PAS TÉLESCOPIQUE - IL EST FABRIQUÉ DANS UN COMPOSITE ENROULABLE UNIQUE. TESTÉ ET ÉPROUVÉ PAR L’ARMÉE DEPUIS PLUS DE 20 ANS, MAINTENANT DISPONIBLE POUR LES CLIENTS CIVILS. Grâce à leur composite unique, ces trépieds peuvent supporter des charges supérieures allant jusqu’à 115 kg. Léger, portable, solide : votre solution idéale de mobilité.
It is a camera that works with a resolution of up to 12K that provides high image quality in 8K and 4K, it also has a Super 35mm sensor and 14 steps of integrated dynamic range, 12K 12,288 x 6480 pixels with which it has a resolution excellent for high-end productions. It accepts 80 Megapixels per frame at 60 f/s in RAW format and 14 stops of dynamic range. The URSA Mini Pro 12K camera has such a high resolution that it exceeds the traditional parameters of the film industry, as it has the advantages of filming on tape with incredible details and very vivid and intense colors.
Also, we can film at 60 f/s in 12K, 120 f/s in 8K and up to 240 f/s in 4K (Super 16). It has a switchable PL mount, built-in ND filters, dual CFast and SD UHS-II card slots, and a SuperSpeed USB-C expansion port.
— Minimieren Sie Bedienereingriffe mit einer vollständig automatisierten und integrierten Lösung
— Erfassen Sie Daten aus unzugänglichen oder gefährlichen Bereichen, ohne Ihre Mitarbeiter zu gefährden
— Überwachen Sie die Änderung von Geräuschsignaturen in Echtzeit, um ungeplanten Wartungsarbeiten vorzubeugen
Visualisieren Sie das Ungehörte und das Unsichtbare mit den Möglichkeiten der akustischen Bildgebung. Die Akustikkamera SV600 ermöglicht es den Anwendern, Luft- und Gaslecks oder Änderungen der Geräuschsignatur kontinuierlich zu erkennen, zu lokalisieren und zu visualisieren, bevor sie zu kostspieligen Problemen werden.
Die Infrarotkamera optris PI 450i G7/640 G7 ist die erste branchenspezifische Wärmebildkamera in der PI-Serie. Speziell für die Glasindustrie wurde eine Kamera entwickelt, die nur in einem Spektralbereich misst.
Die für Optris-Kameras typischen Parameter - hohe Messgeschwindigkeit (80 Hz), hohe optische Auflösung (bis zu 640 x 480 Pixel) und kompakte Bauweise - wurden beibehalten, um Echtzeit-Wärmebilder von Glasperlen bis hin zu Großscheiben erhalten zu können.
Die IR-Kamera wird im Bereich der Flachglasherstellung als Zeilenkamera genutzt und bietet vielseitige Möglichkeiten zur Dokumentation und Steuerung der Prozesse.
Die kompakte und leistungsstarke Infrarotkamera für die Glasindustrie ist mit austauschbaren Objektiven und industriellem Zubehör lieferbar. Das umfangreiche Softwarepaket ohne Lizenzbeschränkung optris PIX Connect ist im Preis inbegriffen .
Temperaturbereich:150 °C ... 1500 °C
Spektralbereich:7,9 µm
Optische Auflösung:382 x 288 px (PI 450i G7) / 640 x 480 px (PI 640 G7)
Bildfrequenz:80 HZ/ umschaltbar bis 27 Hz (PI 450i G7) / 32 Hz / 125 Hz @ 640 x 120 px (PI 640 G7)
Gewicht:237 - 251 g (PI 450i G7) / 269 - 340 g (PI 640 G7) abhängig von Objektiv
Spannungsversorgung:via USB
Knight Optical also keep stock a UV & NIR range of sheet polarizers - Knight Optical offer a range of Stock Polarisers that can be used in the visible range for use with cameras/photography.
Linear Polarisation can be split into P-Polarised (Light where the electric field is Parallel to the plane of incidence) and S-Polarised (Light where the electric field is Perpendicular to the plane of incidence) light, where a polariser can be used to eliminate one plane of polarisation.
This is done to decrease ‘glare’ (reflections on the surface) when an image is being taken, and increase the contrast. This is used often with cameras to obtain ‘better’ image quality at the expense of an image that appears slightly darker.
Knight Optical also keep stock a UV and NIR range of sheet polarisers, for use with cameras outside of the typical visible range.
These Linear Polarisers are available with single-sheet transmissions in the range of 22-44% and also in a range of sizes.
Read PDF for more information
Material::N-BK7 or Equivalent
Diameter Tolerance::+0.0/-0.25mm
Length/Width Tolerance::±0.5mm (<100mm) ±1mm (100-400mm), nominal (>400mm)
Axis direction: :±2°
Die TV30 kann direkt mit Fabrikautomationsgeräten, Software von Drittanbietern wie Labview oder der ThermoView-Software von Fluke Process Instruments verbunden werden. Die Integration eines E/A-Moduls für Automatisierungsanwendungen auf kleinstem Raum bietet Ihnen ein erweitertes Sichtfeld durch die direkte Bereitstellung von kontinuierlichen Wärmebildern, Aufzeichnungen und aussagekräftigen Analysen.
Um den heutigen Anforderungen der Fabrikautomation gerecht zu werden, nutzen die TV30-Kameras Edge-Technologie für Analyseberechnungen und On-Board-E/A, mehrere Feldbusprotokolle für die Verbindung mit verschiedenen Fabrikautomationsgeräten sowie GigE-Hochgeschwindigkeits-Vision-Funktionen für die anspruchsvollsten Anwendungen.
con patas enrollables de material compuesto de 1 m, 2 m o 3 m y capaces de sopor - ESTE TRÍPODE NO ES TELESCÓPICO, SINO QUE UTILIZA UN COMPUESTO ENROLLABLE ÚNICO. PROBADO Y COMPROBADO POR MILITARES DURANTE MÁS DE 20 AÑOS Y AHORA DISPONIBLE PARA CLIENTES NO MILITARES. El compuesto único hace que estos trípodes puedan soportar cargas máximas de hasta 115 kg. Ligeros, portátiles y resistentes, su solución portátil ideal.